Yuri Kupreev, not quite three... The edges of the benches didn't fit into one frame at that focal length. I had to zoom in a bit to the right and left to get them in. Thanks!
It's strange that ALL the benches are facing the camera with their ends facing the camera. And judging by the shadows, the benches are no more than 20 cm wide.
Marina Glebova, I didn't cut the top here (only symbolically, it wouldn't have made a difference). And when the wind blew, I simply didn't have time to change the focal length.
Altimona, you people are strange. If you tell the truth, they won't believe you; if you lie, you will. Your imagination in terms of the ratio of shadows to the size of the benches is enviable...
You didn't say anything about the benches... I can add that the benches are real... And the trees... And the leaves on the tops of the crowns. And I took the picture Tell me, what else haven't I mentioned? I'll definitely add
[quote]And it turns?
Well, yes... I have a magic 70-210/4 (all the benches respond to it...) So, I came to BS and said: "Benches! All point their ends at me!" And so they turned... Don't believe me?
Irina Furashova, by the way, yes... I hadn't seen this shot before. It was this particular alley (linden alley) and I also photographed it last year:
Marina Glebova, there were certain circumstances - the benches and trees don't fit together very well there anymore... And the top was already empty in places - the trip to BS was spontaneous, at the wrong time. There were practically no leaves on the trees.
Altimona, it's really not a hoax. There's some processing, of course – it's impossible without it... but all the objects, including the infamous benches, are real.
Exceptionally wonderful... (Should I ask about the benches...?) Yes...and why are the leaves falling...? It looks like they're falling down...and you're filming from the side...how does that happen?
Shortly before leaf shedding, the levels of potentially harmful components such as tannin and oxalate increase. The level of heavy metals in leaves ready to fall also increases, plus humidity, they become heavier and fall ("Plants undergo an annual, so to speak, 'emptying'"), in the presence of wind, just more intensely.
The comments were hilarious: the benches were wrong, the leaves were wrong, and the crowning glory was Brusson in France. Vlad, next time, don't forget to mention in your comment that the benches were real, and the leaves fell as expected.
The comments were hilarious: the benches were wrong, the leaves were wrong, and the crowning glory was Brusson in France. Vlad, next time, don't forget to mention in your comment that the benches were real, and the leaves fell as expected )))
Victor K. (NetHunter), This is a consequence of over-processing. Reputation, you know. Hence the doubts, the searches for where the photos were bought and pasted, the interrogations and distrust.
The comments were hilarious: the benches were wrong, the leaves were wrong, and the crowning glory was Brusson in France. Vlad, next time, don't forget to mention in your comment that the benches were real, and the leaves fell as expected. ))) Victor K. (NetHunter), This is a consequence of over-reliance on editing. Reputation, you know. Hence the doubts, the search for where the photos were bought and pasted, the interrogations and distrust.
Edu, I'll allow myself to quote one person (highly respected in his circles of photographers): "Art doesn't care how it's made—with stone on a rock, with a brush on canvas, or with a shop."
Vlad Sokolovsky, I really liked the photo. The description "works" made me smile. I agree, I need to write more about the benches and how autumn is also real.
I'm having some trouble viewing it. I started looking into it. It's due to sloppy Photoshop—the fog in the center of the frame is clearly artificial. Compare the fog behavior View crop and View crop The color range is shifted toward orange—look at the sky View crop The color range and histogram are distorted by shadow extensions. The treetops have almost inverted colors. A hodgepodge frame.
I should probably... and add something about the fog... otherwise, a new expert is about to be born...
Thoughts out loud, or how to gain popularity...
1) Register a new nickname like Efim Shishkin or, as is now fashionable – in the French style – Ezhu... Or something loud and memorable. For example – Empressor. Sounds terrifying... Use your imagination at the initial stage!
2) Diligently study certain sections of the Russian language, memorize words (this is very important for your future status!) like "calography", "woof photo", "woof landscape", "ftopku", and others. Without them, you'll simply be a nobody. Actually... And knowledge and regular use of words like "rhythms," "light accents," "metaphorical," "plans," "connections," "lexicon," "film," "Leica," "color range," and "gamma/histogram" will give you a certain mystique. And be sure to remember the names of famous photographers, whether necessary or not – try to reference them. Remember: it's just you and them!
3) Then you start creating – you need to capture something vague and indistinct. The more indistinct, the better. And don't forget about further post-processing. Unlike photography, you still need some knowledge of converting a photo to black and white, square cropping, and the ability to create a white mat (this is one of the key points that will suddenly elevate you from the gray mass of users to a new level). If you're not familiar with converting to black and white, leave it in color, just don't forget to mix all the colors together. The more meaningless it is, the better. Nobody understands "work" – no problem! That's not your goal... Oh, and don't forget to mention that as a child you often saw cameras like the Zenit, Vilia, and others. That you are the illegitimate son of a famous photographer and all his talent was passed on to you genetically.
4) Run with this "shot" You post it on a forum, and then you start frantically sifting through other people's photos, diligently bombarding them with mocking or pseudo-smart comments. The more you screw up/write, the more attention you'll attract. This is one of the keys to your future promotion! Don't forget! Without this, you're nobody! Otherwise, no one will notice you. By the way, if you have a couple of bored friends, don't forget to invite them! Three is already a team (one hand washes the other)... and it's not as scary as being alone... On occasion, try to mention that you don't need fame. You're here simply for something greater - PHOTOS.
If everything goes well, not only will ass-kissers from the Belarusian hinterlands and the Far East come running to you, but penguins from Antarctica will swim up to admire your creativity! Have fun shooting!
Some more thoughts out loud, or how to gain popularity...
1) Register a new, simpler nickname; if you want to make your last name famous, use your full name. And, of course, the nickname shouldn't be loud and memorable, like Empressor. Never use your imagination at the initial stage!
2) Never study Russian, and words like "calography," "rhythms," "light accents," "metaphoricality," "plans," "connections," "lexicon," "film," "Leica," "color range," and "gamma/histogram"—none of the 10-rated providers know their meaning.
And never memorize the names of famous photographers, and never reference them (for the reason described above).
3) Then you start photographing landscapes. First, learn the 5 cliches and get started! The more obtuse and standard, the better. Everyone should understand the work, so banish any thought, even if it's just a random one. And remember: 90% of Carpathian photographs score over 50 points.
4) Never reply to any comments on the forum, and don't comment on other people's work. This is a job for special photographers, for example: "Vlad Sokolovsky recommended 17,702 works for viewing" "Vlad Sokolovsky wrote 8,320 messages"
Let me quote the result: "If everything works out, you'll attract not only ass-kissers from the Belarusian hinterland and the Far East, but penguins from Antarctica to admire your creativity!" Vlad Sokolovsky,
A photograph with a specific idea has a better chance of being sent home than of receiving approval and a high rating. A fair assessment or criticism will make you practically an enemy. A socially significant or anti-war work will make you practically an outcast. Because of xenophobia, chauvinism, and sycophancy.
Impressor, what a funny debate)) I'll beg to differ with point 4 in both versions. If you absolutely must URGENTLY gain popularity, then point 4 should be adopted as follows: comments should be numerous. But not pseudo-smart ones; dabbling in lexicons and semiotics is disgusting to you, incomprehensible to the person being commented on, and generally unphotographic. Writing comments is an art. Just saying "beautiful!" fifty times in a row is the easiest way. But it's tactless. After all, everyone appreciates praise, and when it's also marked with individuality, the time until the penguins arrive is reduced significantly!
And, indeed, the Carpathians are enough. Or any other shots with water, a horizon, sun, and flowers with children and girls in bathing suits. Or without them. "Xenophbia, chauvinism, and servility" - terms that trigger the same persistent allergy in a photographer as the "plans, rhythms," and other such abstruse concepts mentioned by Impressor. Keep it simple; you shouldn't think about it here; you should think about it when you retake your driving test...
Malakhov, For a photographer who is a xenophobic, chauvinist, and sycophant, the terms "xenophobism, chauvinism, and sycophancy" will undoubtedly cause a strong allergic reaction.
Without the complex words "plans, rhythms," and other abstruse jargon, all that's left is to write "good," "wonderful," and "sucks."
Keep it simple, you shouldn't be thinking here
I don't even know how to comment on that. Was that sarcasm?
Impressor, are you still fussing around with diagnoses?)) Do you have any medications? Well, in case a patient with your diagnosis agrees?
I don't even know how to comment on this. Was that sarcasm?
No, this is quite serious advice for someone who wants popularity and ratings. Go to Rasfokus, they have a master class on commenting. Well, you can't send those hungry for popularity to "HE"!
Malakhov, I don't fuss about diagnoses. This was a satirical response to the arrogant lectures of Vlad Sokolovsky, where he tried to disparage the Empress, whose good name I care about. No need to nitpick point 4:)
Malakhov, I don't fuss over diagnoses. This was a satirical response to Vlad Sokolovsky's arrogant lectures, where he tried to tar Empressor, whose good name I care about. No need to seriously nitpick point 4:)
Impressor, that's why I'm giggling. Do you really think you can seriously recommend learning anything on Rasfokus?
Vlad Sokolovsky, you know, there's an old Belarusian saying: "Prauda vochy kole" (meaning "pray on"). Regarding "Keep on barking." Will you apologize for this rudeness, or will you stick with it?
The edges of the benches didn't fit into one frame at that focal length.
I had to zoom in a bit to the right and left to get them in.
Thanks!
I wonder if this is the same place?
Why did they cut it off? The shot was vertical after all.
And judging by the shadows, the benches are no more than 20 cm wide.
And when the wind blew, I simply didn't have time to change the focal length.
Altimona, you people are strange. If you tell the truth, they won't believe you; if you lie, you will.
Your imagination in terms of the ratio of shadows to the size of the benches is enviable...
Marina Glebova, not only flattens, but also rotates?
..it feels like the benches are angled to the path, but are oriented strictly toward the camera.
So, I came to BS and said: "Benches! All point their ends at me!"
And so they turned...
Don't believe me?
Irina Furashova, by the way, yes... I hadn't seen this shot before. It was this particular alley (linden alley)
and I also photographed it last year:
Marina Glebova, there were certain circumstances - the benches and trees don't fit together very well there anymore...
And the top was already empty in places - the trip to BS was spontaneous, at the wrong time.
There were practically no leaves on the trees.
There's some processing, of course – it's impossible without it...
but all the objects, including the infamous benches, are real.
Thank you!
Yes, it's precisely these kinds of photos that give you real aesthetic pleasure!
Yes...and why are the leaves falling...? It looks like they're falling down...and you're filming from the side...how does that happen?
Shortly before leaf shedding, the levels of potentially harmful components such as tannin and oxalate increase.
The level of heavy metals in leaves ready to fall also increases, plus humidity, they become heavier and fall ("Plants undergo an annual, so to speak, 'emptying'"), in the presence of wind, just more intensely.
At this work, given their condition at the tops of the tree canopies, such a spontaneous fall is possible, with or without the slightest breeze; it's not early September, after all.
And if you use your imagination, squirrels, for example, in the park in a "kwacha" (sweet spot) They're playing
© DzjuSan ( http://photographers.com.ua/ )
I shot from the beginning of the alley (about 5 meters from the start and going in)
almost in the center, just a little to the left (from memory)
SUPER!
I loved it so much I even forgot to rate it!
I came back to admire it again, I've made amends!
Vlad, next time, don't forget to mention in your comment that the benches were real, and the leaves fell as expected.
The description "works" made me smile. I agree, I need to write more about the benches and how autumn is also real.
I started looking into it.
It's due to sloppy Photoshop—the fog in the center of the frame is clearly artificial. Compare the fog behavior View crop and View crop
The color range is shifted toward orange—look at the sky View crop
The color range and histogram are distorted by shadow extensions. The treetops have almost inverted colors.
A hodgepodge frame.
"Brusson in France" made me laugh.
otherwise, a new expert is about to be born...
Thoughts out loud, or how to gain popularity...
1) Register a new nickname like Efim Shishkin or, as is now fashionable – in the French style – Ezhu...
Or something loud and memorable.
For example – Empressor.
Sounds terrifying...
Use your imagination at the initial stage!
2) Diligently study certain sections of the Russian language, memorize words (this is very important for your future status!) like "calography", "woof photo", "woof landscape", "ftopku", and others.
Without them, you'll simply be a nobody. Actually...
And knowledge and regular use of words like "rhythms," "light accents," "metaphorical," "plans," "connections," "lexicon," "film," "Leica," "color range," and "gamma/histogram" will give you a certain mystique.
And be sure to remember the names of famous photographers, whether necessary or not – try to reference them.
Remember: it's just you and them!
3) Then you start creating – you need to capture something vague and indistinct. The more indistinct, the better. And don't forget about further post-processing. Unlike photography, you still need some knowledge of converting a photo to black and white, square cropping, and the ability to create a white mat (this is one of the key points that will suddenly elevate you from the gray mass of users to a new level).
If you're not familiar with converting to black and white, leave it in color, just don't forget to mix all the colors together.
The more meaningless it is, the better.
Nobody understands "work" – no problem!
That's not your goal...
Oh, and don't forget to mention that as a child you often saw cameras like the Zenit, Vilia, and others.
That you are the illegitimate son of a famous photographer and all his talent was passed on to you genetically.
4) Run with this "shot" You post it on a forum, and then you start frantically sifting through other people's photos, diligently bombarding them with mocking or pseudo-smart comments.
The more you screw up/write, the more attention you'll attract.
This is one of the keys to your future promotion! Don't forget!
Without this, you're nobody!
Otherwise, no one will notice you.
By the way, if you have a couple of bored friends, don't forget to invite them!
Three is already a team (one hand washes the other)... and it's not as scary as being alone...
On occasion, try to mention that you don't need fame.
You're here simply for something greater - PHOTOS.
If everything goes well, not only will ass-kissers from the Belarusian hinterlands and the Far East come running to you, but penguins from Antarctica will swim up to admire your creativity!
Have fun shooting!
Thanks for stopping by!
Happy photos, everyone!
1) Register a new, simpler nickname; if you want to make your last name famous, use your full name.
And, of course, the nickname shouldn't be loud and memorable, like Empressor.
Never use your imagination at the initial stage!
2) Never study Russian, and words like "calography," "rhythms," "light accents," "metaphoricality," "plans," "connections," "lexicon," "film," "Leica," "color range," and "gamma/histogram"—none of the 10-rated providers know their meaning.
And never memorize the names of famous photographers, and never reference them (for the reason described above).
3) Then you start photographing landscapes. First, learn the 5 cliches and get started! The more obtuse and standard, the better.
Everyone should understand the work, so banish any thought, even if it's just a random one. And remember: 90% of Carpathian photographs score over 50 points.
4) Never reply to any comments on the forum, and don't comment on other people's work. This is a job for special photographers, for example:
"Vlad Sokolovsky recommended 17,702 works for viewing"
"Vlad Sokolovsky wrote 8,320 messages"
Let me quote the result:
"If everything works out, you'll attract not only ass-kissers from the Belarusian hinterland and the Far East, but penguins from Antarctica to admire your creativity!"
Vlad Sokolovsky,
A photograph with a specific idea has a better chance of being sent home than of receiving approval and a high rating.
A fair assessment or criticism will make you practically an enemy.
A socially significant or anti-war work will make you practically an outcast. Because of xenophobia, chauvinism, and sycophancy.
And, indeed, the Carpathians are enough. Or any other shots with water, a horizon, sun, and flowers with children and girls in bathing suits. Or without them. "Xenophbia, chauvinism, and servility" - terms that trigger the same persistent allergy in a photographer as the "plans, rhythms," and other such abstruse concepts mentioned by Impressor. Keep it simple; you shouldn't think about it here; you should think about it when you retake your driving test...
Without the complex words "plans, rhythms," and other abstruse jargon, all that's left is to write "good," "wonderful," and "sucks."
I don't even know how to comment on that. Was that sarcasm?
No, this is quite serious advice for someone who wants popularity and ratings. Go to Rasfokus, they have a master class on commenting. Well, you can't send those hungry for popularity to "HE"!
No need to nitpick point 4:)
and leave only these.
There are a lot of words there.
and these... stuck in my mind.
still... you overreacted.
It happens to everyone)
Regarding "Keep on barking." Will you apologize for this rudeness, or will you stick with it?